In the popular imagination, art history remains steeped in outmoded notions of tradition, material value and elitism. How can we awaken, define and orientate an ecological sensibility within the history of art? Building on the latest work in the discipline, this book provides the blueprint for an 'ecocritical art history', one that is prepared to meet the challenges of the Anth...(展开全部)

梅棹忠夫（1920-2010），毕业于日本京都大学理工学院，理学博士。历任京都大学人文科学研究所教授、国立民族学博物馆馆长等职。专攻：民族学、比较文明学。著有《文明生态史观》《梅棹忠夫著作集》（23卷）。

梅棹忠夫（1920-2010），毕业于日本京都大学理工学院，理学博士。历任京都大学人文科学研究所教授、国立民族学博物馆馆长等职。专攻：民族学、比较文明学。著有《文明生态史观》《梅棹忠夫著作集》（23卷）。

Is environmental degradation an inevitable result of economic development? Can ecosystems be restored once government officials and the public are committed to doing so? These questions are at the heart of An Ecological History of Modern China, a comprehensive account of China's transformation since the founding of the People's Republic from the perspective not of the economy b...(展开全部)

Is environmental degradation an inevitable result of economic development? Can ecosystems be restored once government officials and the public are committed to doing so? These questions are at the heart of An Ecological History of Modern China, a comprehensive account of China's transformation since the founding of the People's Republic from the perspective not of the economy b...(展开全部)

Is environmental degradation an inevitable result of economic development? Can ecosystems be restored once government officials and the public are committed to doing so? These questions are at the heart of An Ecological History of Modern China, a comprehensive account of China's transformation since the founding of the People's Republic from the perspective not of the economy b...(展开全部)

Amazingly, there has never been a book quite like The Art of Horror a celebration of frightful images, compiled and presented by some of the genre's most respected names. While acknowledging the beginnings of horror-related art in legends and folk tales, the focus of the book is on how the genre has presented itself to the world since the creations of Bram Stoker and Mary Shell...(展开全部)

An extraordinary collection—hawk-eyed and understanding—from the Man Booker Prize–winning, best-selling author of The Sense of an Ending and Levels of Life. As Julian Barnes notes: “Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when ...(展开全部)

An extraordinary collection—hawk-eyed and understanding—from the Man Booker Prize–winning, best-selling author of The Sense of an Ending and Levels of Life. As Julian Barnes notes: “Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when ...(展开全部)

米切尔·P. 罗斯（Mitchel P. Roth），加州大学圣芭芭拉分校博士，萨姆休斯顿州立大学犯罪学教授，他的研究主要关注刑事司法的历史面向,以及谋杀、恐怖主义、有组织犯罪的历史，著有《有组织犯罪》（Organized Crime）及《罪与罚：刑事司法制度的历史》（Crime and Punishment: A History of the Criminal Justice System）等书。他本人及研究成果也被CNN、FOX等多家媒体报导。